bihzad seduction of yusuf bihzad seduction of yusuf

[30], One of Behzds lasting influences stems from his proficient depiction of humans and other organic motifs, bringing new depths to his paintings narratives and characters. [15], In several manuscripts issued in the 1480s in the Sultan Hussein Bayqarah's kitabkhana (library), Behzad's participation is seen, which evidences his work in the court in the period. It contains four paintings "signed" by Bihzad, includ-ing the seduction of Yusuf (fig. [2] Through his great wisdom and power, Yusuf resists her and turns around to open the door. 1. Mosque lamp of Sayf al-Din Tuquztimur, from Egypt, 1340. [16] According to Muhammad Khwandamir, Shah Ismail I employed Behzd with a decree in which he described the painter as [a] miracle of our century, a model for painters and an example for goldsmiths, master Kemal-od-Din Behzad, who with his brush shamed Mani and humiliated the pages of Arzhang with his draftsman's pencil ". University of Michigan Library Digital Collections. Jami's Yusuf and Zulaikha: A Study in the Method of Appropriation of Sacred Text. Beutel. Some researchers believe that between 1507 and 1510, Behzd was in Bukhara, as he followed Sheibani Khan and other artists from Herat (although Babur reports that he was in Herat during those years). this page displays vivid color, intricate decorative detailing, and a brilliant balance between two-dimensional patterning and perspective. [20] Behzd continued to serve in the Shahs workshop until his death in 1535. [1], Behzds full name is Ustd Kamluddn Be[i]hzd. Kaml ud-Dn Behzd (c. 1455/60 1535), also known as Kamal al-din Bihzad or Kamaleddin Behzd (Persian: ), was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Persian periods. Kamal Al-Din Bihzad and Authorship in Persianate Painting.. [16], Jami opens the poem with a prayer. Made in 1488 for Sultan Husayn Mirza at Herat. British Mueseum, London. National Library, Cairo. View the Help Guide for more information. 23-5] The Medieval Courtly Love Tradition 1 of 4; The Medieval Courtly Love Tradition 2 of 4 Art Et Architecture Persian Architecture Maleficarum Islamic Paintings Art Paintings Watercolor Paintings Iranian Art Caravaggio Illuminated Manuscript Ink and color on paper The most famous Persian painter of his age was Bihazad -> worked for the sultan at Herat Story of the seduction . 1354. x 8 15/32 in. Please use the site map below to navigate where you would like to go. Zulaikha, the rich and beautiful wife of Potiphar, sees him and is struck by Yusufs beauty. Roxburgh, David J, Kamal Al-Din Bihzad and Authorship in Persianate Painting,. Kaml ud-Dn Behzd (c. 1450 - c. 1535), also known as Kamal al-din Bihzad or Kamaleddin Behzad (Persian: ), was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Persian periods. "The Seduction of Yusuf by Zulaykha, fol. Christopher Shackle. "Seduction of Yusuf" by Persian artist Kamal al-din Bihzad Find this Pin and more on Art of the Week/Day by Margaret Holt. There also exists a Punjabi version of Yusuf and Zulaikha, composed by Hafiz Barkhurdar, that contains around 1200 pairs of rhyming verses. The Great Mosque Damascus, Syria, 706715. Accessed November 18, 2022. http://beutel.narod.ru/write/yusuf.htm. [2] He was very prominent in his role as kitbdr (a director of a workshop) in the Herat Academy as well as his position in the Royal Library in the city of Herat. is a critical essay that looks closely at a painting that illustrates a scene from a well-known Su love poem, Yusuf and Zulaikha, based . You can read the details below. What is a minaret? [35] The continued interest in illustrating the renowned tale of Yusuf and Zulaikha can be found in a manuscript from Muhhamid Murak dating back to the year 1776. Tap here to review the details. Almost all literary versions have received their interpretations in . perspective constructions of the Renaissanc e . The story is also mentioned in jew and christian traditions where she is known as the Potipher's Wife. It's interesting to note the artist's use of perspective here. Giotto) and with Chinese painting (here I know less) -- all styles that look to the modern photographically trained eye like partially developed perspective. In the seventh century, a split in Islam created two groups, the Shiite and the Sunni. This story had previously appeared in Sadi's Bustan, written 200 years earlier. [4] Deflecting the blame, Zulaikha tells her husband that Yusuf attempted to seduce her. One is that he often uses open, unpatterned empty areas around which action moves. The Seduction of Yusuf, illustrated folio from a manuscript of Yusuf va Zulaykha by Jami Classification Manuscripts . Rights and Permissions section on a specific This page displays vivid color, intricate decorative detailing, and a brilliant balance between two . Creation date 1488. [31] In fact, many versions of Yusuf and Zulaikha have been lost to time. Behzad's later work is usually associated with the name of Shah Ismail's son, Shah Tahmasp I (ruled 15241576). His art includes masterful use of value and individuality of character, with one of his most famous pieces being "The Seduction of Yusuf' from Sa'di's Bustan of 1488. Change). [28] The narrative continues when Zulaykha and Yusuf enter the innermost chamber. Term [image] Definition. bihzad and authorship in persianate painting 119 DAVID J. ROXBURGH KAMAL AL-DIN BIHZAD AND AUTHORSHIP IN PERSIANATE PAINTING peculiar to, Bihzad were then picked out and de- scribed. The continuity of these spatial zones, each of which enters into the distinctive atmosphere of each monument is of utmost importance. Bustan of Sa'di, f.52b: The Seduction of Yusuf Creator: Bihzad, 1450-1536 Published/Created: Herat 1488 Physical Description: 30.5 x 21.5 cm Materials: opaque watercolor, ink, and gold on paper Notes: Copied by Sultan-Ali al-Katib for Sultan-Husayn Mirza. Ink and color on paper, 11 78" 8 58". Instant access to millions of ebooks, audiobooks, magazines, podcasts and more. Within one of the wealthiest trading centers along the Silk Road in Bukhara, Uzbekistan, the manuscript of Bustan of Sadi would be found. The illustration by Bihzad of Zulaykha depicts the palace as almost a labyrinth, which is probably meant to reflect the war of feelings and emotions . Why is abstract patterning so prevalent in Islamic decoration? . "Yusuf and Zulaikha" (the English transliteration of both names varies greatly) refers to a medieval Islamic version of the story of the prophet Yusuf and Potiphar's wife which has been for centuries in the Muslim world, and is found in many languages such as Arabic, Persian, Bengali, Turkish and Urdu.Its most famous version was written in the Persian language by Jami (1414-1492), in his . Summary: 54 folios with 5 illustrations; date A.H. Rajab 893 (June 1488). The attribution of specific paintings to Behzd himself is often problematic (and, many academics would now argue, unimportant),[23] but the majority of works commonly attributed to him date from 1488 to 1495. Kaml ud-Dn Behzd gives advice to a respected Sufi mystic. It is largely similar to the story of Joseph in Genesis. 214 Rosario Sanguedolce/Bhagis Stock . It tells of the life of the prophet. Manuscript illustration from a Bstn of Sa{di, copied by Sultan {Ali al-Katib [al-Mashhadi] for Sultan Husayn Mirza, dated Rajab 893 (June 1488) (fol. Copyright 2016, 2013, 2010 Barkhurdars rendition was not published until the nineteenth century, and by then it was considered too antiquated for mainstream reading. Court of the Lions (looking east), Palace of the Lions, Alhambra, Granada, Spain, 13541391. Madrasa-mosque-mausoleum complex of Sultan Hasan (looking northwest with the mausoleum in the foreground), Cairo, Egypt, begun 1356. Khushushban. Kamal ud-Din Behzad - The seduction of Yusuf (1488) Nice design. Bihzad, The Seduction of Yusuf, from a copy of Sadi's Bustan ("Orchard"), prepared for Sultan Husayn Mirza at Herat, Persia (present-day Afghanistan). Zulaikha, unable to quell her thoughts of Yusuf, attempts to seduce him, but he rejects her advances until they meet again and marry many years later. 1300. Free access to premium services like Tuneln, Mubi and more. also geometrically constructed but is very different from the geometric one point. Giotto) and with Chinese painting (here I know less) -- all styles that look to the modern photographically trained eye like partially developed perspective. assigned to Bihzad is the Bstn of Sa{di, copied by Sultan {Ali al-Katib (al-Mashhadi) and dated 1488. From Persia we see what is considered to be, by some experts, the most recognized Illustration of Jamis poem Yusuf and Zulaikha. One page from both the Koran and the Bible, the Seduction of Yusuf The story Zulaykha lured Yusuf into her palace and led him through seven rooms, Locking each door behind him. It is not to say that Behzd created unrefined works, rather, what he did choose to include was masterfully rendered and ripe with emotion and a masterful control of the brush and color. The manuscript offers over 30 paintings styling different scenes from Jamis poem of Yusuf and Zulaikha. Find your local office: See what services and offers are available in your area. Zulaykha lured Yusuf into her palace and led him through 7 rooms, locking each door behind him His art includes masterful use of value and individuality of character, with one of his most famous pieces being "The Seduction of . Artist signed the basin 6 times. [11] Upon his arrival, the women cut themselves with their knives, shocked by his beauty. Find more prominent pieces of miniature at Wikiart.org - best visual art database. Between Scripture and Romance: The Yusuf-Zulaikha Story in Panjabi. South Asia Research 15, no. Last edited on 12 February 2023, at 16:19, Learn how and when to remove this template message, "English translation of Jami's Joseph and Zuleika (edited by Charles Horne, 1917)", Women Writers, Islam, and the Ghost of Zulaikha, Jm in Regional Contexts: The Reception of Abd al-Ramn Jms Works in the Islamicate World, https://en.wikipedia.org/w/index.php?title=Yusuf_and_Zulaikha&oldid=1138957006. Fine, intricate lines are used to portray the figures, giving the setting an air of reality. It was in this city where he became the head of the Safavid royal library. The Seduction of Yusef and Zuleykha C. 1488 This is Kamal ud-din Behzad's most famous work. Bihzad, Seduction of Yusuf, folio 52 verso of the Bustan of Sultan Husayn Mayqara, from Herat, Afghanistan, 1488. Muhammad ibn al-Zayn, basin (Baptistre de Saint Louis), from Egypt, ca. Persian Art. In the story, Yusuf (Joseph) is seduced by Zulaykha, the wife of Potiphar. Opaque pigment on paper. 2016. One page represents a story in both the Bible and the Koran. Jamis example shows how a religious community takes a story from a sacred text and appropriate it in a religious-socio-cultural setting that is different from the original version. Artist: Bihzad. Kamal ud-din Bihzad's The Seduction of Yusuf (1488), a miniature from a book by Sa'di, one of the greatest writers of Persian poetry Courtesy of the National Egyptian Library The international recognition of the tale of Yusuf and Zulaikha resulted in many artistic renditions of the poem. "The Seduction of Yusuf", a tale found in both the Bible and the Quran, describes a series of interactions between Joseph and Zulaykha, the wife of Potiphar. Muse du Louvre, Paris. In nasta'liq script by calligrapher Sultan Ali Mashhadi; Illumination (30 x 21 cm), dated 1488. . A Persian TaleA Persian Tale 2 of 22 of 2 One of the most popular of these tales was the "Seduction of Yusuf and Zulaykha," a retelling of the biblical story of Joseph and the wife of Potiphar. Sultan-Muhammad, Court of Gayumars, folio 20 verso of the Shahnama of Shah Tahmasp, from Tabriz, Iran, ca. Another difference in Jamis version is that the overwhelming majority of the story is unrelated to the Quran. Milstein, Rachel, Sufi Elements in Late Fifteenth Century Herat Painting, This page was last edited on 21 February 2023, at 10:54. He uses value (dark-light contrast) more emphatically, and skillfully than other medieval miniaturists. He introduced greater naturalism to Persian painting, particularly in the depiction of more individualised figures and the use of realistic gestures and expressions. Yusuf and Zulaikha, Folio 51r from a Bustan of Sa`Di. Metmuseum.org. This is seen as a recognition of Islamic Heritage Architecture and Art 75 www.witpress.com, ISSN 1743-3509 (on-line) . The story plays a primary role within the chapter, and begins after Yusuf, son of Yaqub ibn Ishaq ibn Ibrahim, is abandoned and subsequently sold to an Egyptian royal guard. The Seduction of Yusuf. It contains four paintings "signed" by Bihzad, includ-ing the seduction of Yusuf (fig. Due to the great number of copies and difficulty with tracing origin of works, there is a large amount of contemporary work into proper attribution. [11], Not much is known of Behzads childhood, but according to the author Qadi Ahmad, Behzd was orphaned at an early age and raised by the prominent painter and calligrapher Mirak Naqqash, a director of the Timurid royal library. Yusuf = Joseph Not a religious text Sufi mysticism: Allah's presence is in everything More erotic art in each of the 7 rooms as you go through, she locks doors behind Yusuf Artist displays wealth instead of erotic art Each locked door opens as Yusuf runs away the registan and the seduction of yusuf Timurids islamic art includes wooden portal of the stave church at urnes. Asia and North Africa led to a flurry of diverse artistic interpretations of Yusuf and Zulaikha. 140-1250. The painting is called "The Seduction of Yusuf" or "Yusuf and Zulaikha" and is the same story that . Kaml ud-Dn Behzd, also known as Kamal al-din Bihzad or Kamaleddin Behzad, was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Persian periods. XVII, 2000. He left that position in 1506, at the end of Bayqarahs reign. By accepting, you agree to the updated privacy policy. A Persian TaleA Persian Tale 2 of 22 of 2 One of the most popular of these tales was the "Seduction of Yusuf and Zulaykha," a retelling of the biblical story of Joseph and the wife of Potiphar. Skip to select related items. U-M Library Design System, College of Arts, Sciences, and Letters (UM-Dearborn), https://quod.lib.umich.edu/u/umdvrc1ic/x-d09-15562/d09-15562. Most famous Persian painter of his age was Bihzad; Vivid colors and intricate decorative detailing; Two-dimensional patterning (perspectives of balconies and staircases) Opaque pigment on paper. This story had previously appeared in Sadis Bustan, written 200 years earlier. According to tale, Zulaykha lured Yusuf into her place and led him through seven rooms, locking each door behind him. Ink and color on paper, 11 7 8" 8 5 8". Kamal ud-din Behzad biography. 2. Picture and description of a work by Kamal ud-din Behzad: The Seduction of Yusuf. The Bodleian Libraries has a full and diverse programme of events and exhibitions throughout the year. Do not sell or share my personal information, 1. The art of miniature painting in Persia flourished from the 13th through the 16th centuries, and continues to this day, with several contemporary artists producing notable Persian . Detail. illumination (30 21 cm) 1488 National Library and Archives of Egypt, Cairo. EIGHTH EDITION [1][5][10] With such a prestigious Behzd came to be a central figure to the Herat school of painting, eventually becoming the head of the Herat academy in 1486 and leaving in 1506. 0 Add a comment About Me. Prayer hall of the Mezquita (Great Mosque), Crdoba. [1], After reaching maturity, Yusuf becomes so beautiful that his master's wife, later called Zulaikha in the Islamic faith, falls in love with him. 1).6 After identifying a corpus of documented work, 7 stylistic, technical, and subject-related features thought typical of, and Shaykhi, Bahram Gur in the Green Pavillion. Luxury Arts Herat, Afghanistan center of luxurious book production Secular art forms allow representational imagery Narratives with human and animal forms Bihzad most . The construction of Khawarnaq castle (Arabic ) in al-Hira, c. 1494-1495 C.E. Another quality common to his work is narrative playfulness: the almost hidden eye and partial face of Bahram as he peers out the blinds to watch the frolicking girls in the pool below, the upright goat that looks like a demon along the edge of the horizon in a story about an old woman confronting the sins of Sanjar, the amazing cosmopolitan variety of humans working on the wall in the sample image.