Built on powerful dual-engine processing and UAD audio modeling expertise, the Dream '65 effects pedal . Our services include songwriting, production, digital strategy, and media production. A good tube in the right hand slot will help you fine tune the distortion character to your liking. I dont have an amp with an effects loop. The channels are automatically ganged when you turn both volumes up, but you can hear either alone just by turning the other one all the way down. These modelers are really awesome tools. But imo the learning curve on dialing in the exact sound you want on the helix is very high, at least in my experience. Ask any 10 guitarists to identify their favourite amp simulator and youll probably get nine different answersand two of them will be None: nothing sounds like my real tube amps. But perhaps it shouldnt be asurprise, given the sheer variety of real amps that the market seems able to support. UAFX Dream & Ruby VS Strymon Iridium (The Bethel Sound) Devan Bumstead 5.73K subscribers Subscribe 12K views 5 months ago This video features a side by side of the UAFX Dream (panned left). Like most things on aVox, its abit different and certainly rewards experimentation. For the sake of the community, you must continue with your research. In the stereo effects loop, I have the following pedals: Eventide H9 - Amazing pedal that does soooo much. You will receive a verification email shortly. Be the first to share what you think! The Strymon Iridium, Boss IR200, Atomic AmpliFirebox MKII, Line 6 Pod Go, Walrus ACS1, and undoubtedly afew more that Ive forgotten, will all give you very decent emulated amp and speaker sounds for asimilar price. You might have just beat my GAS for the Dream 65! How much feel difference would you say there is? Okay so I think I may be one of the most qualified sickos to review this because I'm an absolute maniac for amp sims and I've owned or played with: Iridium / DSM & Humboldt Simplifier (deluxe and regular)/ Walrus ACS1/ Two Notes Cab M+/ line 6 HX stomp. I don't think the amp itself needs a bypass switch because there's kinda no reason you'd need to turn it off mid-song. With no tone stack and therefore no need for amakeup gain stage, there are just Volume and Cut controls, the latter implementing atreble rolloff. I run a matchless DC30 sim through York Matchless 212 IRs and its . *The hardware is capable of running in stereo with different cab on each side. Unless you are familiar with these amps, you might think the inclusion of the Mic inputs volume control in the modelled pedal somewhat irrelevant, but the interaction of the two volumes is actually areally important part of the Tweed Deluxe sound. (Eight foot-switching combinations are available on all but the Woodrow, which has three combinations.). More posts from the universalaudio community. The latter pair both involve some altered gainstaging and revoicing to achieve asmoother overdrive tone. I also have the reverbs and effects that are in the Stomp. For a better experience, please enable JavaScript in your browser before proceeding. The spring algorithms on the H9, Collider, and True Spring are top notch. I have no need for it but if I doI will grab it. The Boosts available in this model all drive the input of the amp: aKorg SDD3000 preamp stage (a popular 80s rack delay unit) also automatically selects avirtual lowsensitivity input. If you're looking for even greater control, the Dream '65 sports Bluetooth compatibility to connect to Universal Audio's UAFX app for enhanced editing, access to artist presets, and more! Universal Audio Dream '65 Reverb Amplifier Pedal Stereo Amplifier Simulator Pedal with 3 Modes, 3 Cabs/Speakers, Reverb, Vibrato, Bluetooth, and Presets $399.00 Or $17.00/month with 24 mo. As with those pedals, the new Dream '65 Reverb-Amp, Ruby '63 Top Boost Amplifier and Woodrow '55 Instrument Amplifier feature stylish metal housings, stereo ins and outs, dual foot switches, and the ability to activate and manage factory and user presets via the UAFX Control mobile app (iOS and Android), where you can download artist sounds, edit amp tones and even change the functions . JHS Kilt v2 - Apparently this is a signature pedal, but I have no idea who STU G is. According to what someone from UA said on their forums, a Y-splitter from 2x mono male to 1x stereo female works for headphones. Very convincing miked amp and speaker sound for DI recording. In Amp mode, the standard amp controls are available. If you cant find anything in there that makes you very happy, maybe you just dont like Fender amps. That being said, I might still keep it. They definitely sound better out of the box than the Stomps. Given the potential vagaries of Bluetooth connection and the possibility of your mobile device being inconveniently out of power, Ithink there really should be an emergency revert to Live/Preset routine accessible by rebooting while holding down both footswitches, or something. The Rubys Brilliant channel is a blast to play through, as it models the original top boost circuits extra tube to deliver more gain and treble. Everything is under the fingers: dig in and it will spit and grind, lay off with the right hand and a Tele bridge pickup can have the big, fat clean of a pedal steel. For more information, please see our Thats one area where Im very happy to see modelling departing from accuracy! The Woodrow 55 Instrument Amplifier models all the subtle nuances of aFender 5E3 Tweed amp, including the interaction between the instrument and mic stages. My only complaint is that some of the factory presets you can download off of the app allow for one cab on the left and a different cab on the right. Most Successful Signature Guitar Of All Time. Both full on isnt maximum bass and treble, but abig lowmid suckout: these were early days for guitaramp design! 3 stereo tremolos. Even the new Hot Spring effect on the Stomp is excellent. Econom ist ft) n o c > " 5 C/i ft) The UA dream 65 is no exception and is probably. But if there is aconsensus, it is that digital modelling of guitar amps and speakers has come avery long way in the last few years, and for many players our choice is no longer acase of Is that good enough? but rather Do Ilike that one better than this one? Youll notice Ihavent referred to any digital spec or latency figures in this piece. Modelled speaker options are 2x12 configurations of vintage 15W Celestion Silver Bulldogs, Alnico Blues, or modern G12Anniversary models, with the bonus cabs offering amodern rendition of the Alnico Blues, modern Matchlessampstyle speakers, or amodern Celestion Alnico Gold in a1x12 cab. boost) is turned past noon. Read honest and unbiased product reviews from our users. The classic tone control setup for a60s Deluxe tends to be around treble at six, with bass at three, and that works just the same for the modelled stock amp here. Key Features Volume at 80%, Bass and Treble centred, no boost pedal. In addition, the Ruby can go slower than the stock circuit, which makes for some happening in-between textures as it transitions into choppier, volume-modulating tremolo when the intensity (a.k.a. This can go from a smooth subtle overdrive to a Rat to a ripping fuzz. Based on a Vox AC30 (opens in new tab) platform, the Ruby 63 Top Boost has a control layout consisting of volume, cut, output, bass, treble and boost. The I/O features two 1/4-inch inputs and two outputs, so you can connect mono or stereo sources. Web site designed & maintained by PB Associates & SOS. That's not to say that the 2-610 doesn't possess vintage heritage. I really like the reverb and tremolo. Answer2:24The backing after 0:20 is the sound of A.It's connected to other pedals, but only Timeline (to Lead) is on. Shop All Plug-Ins Iguess it is just the sort of compromise you have to make in trying to implement as much operational facility as possible into asmall number of physical controls. But they dont sound noticeably better than the York IR. And although the cut control is the only EQ for the Normal channel, it accommodated guitars with single-coils and humbuckers with no fuss, yielding killer tones with a selection of distortion pedals that included a TWA SH9. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! The room simulation is spectacular, and just lifts you out of the dry sterility of closemiking into aplaying comfort zone when recording. Built on powerful dual-engine processing and acclaimed UAD modelling, the Dream '65 is designed to deliver broad cleans, sweet breakup, and heavenly spring reverb/vibrato effects all from a compact unit that easily fits on your pedalboard! If you want abit more drive, the Boost control provides amodelled germaniumtransistor treble boost into the front of the amp that works just as youd want it to, without going over the top. The inclusion of multiple amp emulations in hardware digital modellers from day one may have created aculture of expectation that perhaps doesnt now quite fit the realworld experience. With pedal set clean in the Stock position, it was easy to get very realistic Fender Deluxe Reverb (opens in new tab) tones that sounded excellent, with lush reverb adding a beautiful wash of airiness. Very helpful in understanding how it compares to the stomp. If it had midi, I could add more switches and more control. Frankly, it sounds great. You just forget about the amp and play the instrument: its all in the fingers and what you do with the volume and tone controls. Bath I did my best to tone match each clip, but it is worth pointing out that these two pedals really do not seem to be a 1:1. This channel doesnt have the gain of the Brilliant channel where many of the classic glassy Vox tones are to be found, but it is somehow organic and satisfying. Art's busy performance schedule with three stylistically diverse groups provides ample opportunity to test-drive new guitars, amps and effects, many of which are featured in the pages of GP. You are using an out of date browser. Something like the DoD Rubberneck, where you can add effects to the delay repeats. Built on powerful dual-engine processing and world-class UAD modeling, Dream '65 delivers bold cleans, sweet breakup, and divine spring reverb and vibrato. The different helix units also have a lot more foot switches for live application, as well as more ins and outs. American Standard Pitch Notation, a true work of evil. Agraphical representation of the control positions in the app would be enough. CAB SIMS - The UAFX cabs sound great. If you like the deep throb or repetitive warble of an optical trem, youll be happy with this one. Timestamps0:18 - Biggest tonal difference in the modeling1:13 - Clean sound comparisons / getting the same sound out of the pedals3:20 - Max Gain on the Dream '653:47 - Max Gain on the Strymon Iridium4:55 - Testing the boosts on the Dream '658:18 - The confusing nature of digital 'limitations'9:15 - EP Booster with Strymon Iridium10:16 - EP booster with Dream '65 and compared with Stock boost11:08 - 'Vibrato' feature (Tremolo, I know)12:55 - Recreate Vibrato sound with Strymon Flint \u0026 Iridium13:41 - How the pedals handle OD pedals14:08 - Dream '65 Clean vs OD w Sparkle Drive14:42 - Strymon Iridium Clean vs OD w Sparkle Drive15:09 - Dream '65 Clean vs OD w BOSS SD-115:52 - Strymon Iridium Clean vs OD w BOSS SD-118:28 - Dream 65 Speaker Sims (Celestion Greenback)19:10 - Dream 65 Speaker Sims (Oxford 12K5-6)19:48 - Dream 65 Speaker Sims (EVM12L)20:33 - Dream 65 Speaker Sims (Celestion G12-65s Two Rock 2x12)21:24 - Dream 65 Speaker Sims (Fender Reverb CTS 4x10)22:07 - Dream 65 Speaker Sims (Fender Twin 2x12 JBL D-120F)23:12 - Bass Response Comparison between Dream '65 and Strymon Iridium)24:39 - Using the app and the problems of Bluetooth Technology25:12 - Testing my favorite presets26:49 - The problem with \"smart\" devices28:28 - The costs of using each pedal31:25 - The Dream '65 in a mix32:11 - The Strymon Iridium in a mix33:12 - How to compare these pedals and who these pedals are for35:43 - I guess I don't need one of these, so I'll give one awaySuperdanger Studios is based in Nashville, Tennessee and is a full service creative house for musicians and artists. And finally, the socalled Vibrato effect (really Fenders periodcorrect optical Tremolo circuit), accessed by selecting the Alt position for the centre threeway mini switch, which repurposes the Treble and Boost controls as tremolo Speed and Intensity, respectively. Look for version2, it has some trim pots on the bottom that version1 did not have. The bottom setting is EP-III, which models the preamp from a solid-state Echoplex tape echo. Recorded to DAW via a two-channel DI box straight from the stereo output of the pedal, with no recording or mix processing. All rights reserved. It feels solid and durable. More Details $ 399 .00 As low as $17 /month with 24 mo. So what are they like in that context? Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Have you noticed anything like this between the Stomp and Dream? There is atrue stereo path through the unit if you use both inputs, but if you use one input and both outputs, you are actually running two phaselocked instances of very slightly different amps, as if using an A/BY box. However, their electrochemical stability is still not sufficient. In aword, superb! This helps keep it from sounding too digital. This sucks because by my thinking, you really need four switches: bypass, boost, reverb, and tremolo. Source Audio Collider - probably the stereo best combo reverb and delay pedal out there. I'd super interested to know if using a Y-splitter to headphones sounds good and works without hassle. The one in the Dream 65 is really really good. The '65 Deluxe offers a choice of a Celestion Greenback 25, a periodcorrect Oxford speaker, and an EVM12. I recently had the Strymon Iridium and UAD Dream 65 in my possession at the same time (loaned from friends -- not companies or sponsors), so I decided to make this quick video. What, no Marshall? you might be thinking. Thanks for the detailed write up. FWIW, an old Strat>DECO>Ruby'63 stereo>Powercab, sounds authentic and inspiring. The use of alowgain 12AY7 tube as the input stage in this design keeps the clean sound really sweet, with the fixed bright capacitor on the Instrument channel able to be balanced out by also advancing the Mic channel.